Sent out today to reviewers these two packages. The (Polish) post office across the road still uses stamps, which makes for a beautiful finishing touch. Today’s choice was two big stamps showing a (Polish?) pope blessing the masses and a smaller stamp with a picture of orange flowers.
Any advice on who/where to send copies for review is most welcome.
Also, If you order your tape directly from me, you can expect this kind of packaging.
Of course the tapes are also available directly from Kris Limbach, Ben Roberts aka Eclectiktronik Live and from Guillaume Siffert at the Staalplaat shop in Berlin. Midøri Hiranø‘s personal copies have sold out.
address side of packet for The Sound Projector
Address side of Packet for Cassette Gods
Back side of packet for the Sound Projector
Back side of packet for Cassette Gods
“On Staaltape something is somewhat bigger,”
says FdW in Vital Weekly
He writes about the Slow Slow Loris release.
“There is a fine element of repetition in this music; a cold and clinical bang, reminding this listener of the cassettes he heard in the 80s. Slow Slow Loris is an ancestor to that old school industrial sound.”
“I quite enjoyed this dark synth-heavy industrial pop noir. It is along the lines of many current darkwave acts, except that Slow Slow Loris still sounds old-fashioned, with their analogue synthesizers in what sounds like a basement studio.”
In the staalplaat shop
Ed Pinsent writes:
“The first one I played is The Truth About Cassius Clay, recorded and realised by a Parisian musician called :such:. The cassette has a hand-made collage cover, layers from glossy magazines pasted together almost like papier-mache. I suppose the first observation would be that it’s simply gorgeous, beautiful music. It’s so approachable and accessible that I can recommend this without hesitation..”
and he writes:
“This fascinating document may not persuade you to follow the music of Diktat, but it will pass on a vivid picture of travel, city life, meetings, people, and the richness of all these things rubbing shoulders in the same melting pot. Without explicitly setting out to capture the “truth” about Washington DC or NYC, this fragmentary-collaged approach (sourced from the tape recorders of all three dictaphone performers) in fact reveals more about direct experiences of places than would be possible with a more considered or formal field-recording / phonography approach.”
You can find the complete review here.
Why the review/half essay is called Eat the Document, you can find out here.
The tapes by :such: and Diktat are available here.
Thanks Ed for Cabinessence, and thus for the great documentary Beautiful Dreamer, Brian Wilson and the story of ‘Smile,’ and now for the BobDoc.
On 30. January Midori’s tape became available. The staalplaat shop received four orders within ten hours. Of the twelve copies Midori received only a few are left.
I will start working on a new edition, probably with slightly different artwork. Pictures of that ongoing process will be published on staaltape’s twitter account, appear also in the sidebar at your right.
FdW wrote a review in Vital Weekly:
“Midori uses here field recordings from Europe and Japan, which she uses as a backdrop to her piano playing, and that piano is a found object itself, so it detuned a lot over the years. It makes it all wonderfully poetic and intimate music. You hear some birds twitter outside and down the hall someone is playing this detuned piano.”
“It’s a bit like one of those releases on the Japanese Flau label, but with an even more lo-fi approach when it comes to recording. Nothing about this is perfect but that’s the beauty of it. Like someone recorded this on a cassette over some time, sticking random events together. Excellent release, so let’s hope there will be a second, bigger edition.”
The new audiozine, #2 is a vivid account of Diktat’s visit to the United States. Conversations, snippets of performances, travelogues, americana and guest appearances by Glenn Branca and David Thomas can be found on this C60 tape. Read more …
The cassette comes in a custom made cardboard package with X-Ray pictures on the front and back side. The inlay is a high quality color print, plus a written piece of paper with the basic liner notes. Every copy has a different X-ray.
Price 8.00 Euro, available through staaltape at staalplaat.com or directly from the shop.
In how far this is an Audiozine, is of course to be judged by the listener. It was my intention to combine elements of essay-writing, travelogues, documentary and, in this case, docu-fiction.
If to some of you it still sounds like music, well, then let it sound like music!
In the year 2013 all titles will become available as a bare cassette in a strange case. No information, except for the cassette title, will be added. The releases will pretty much look like those in the picture below. (Please Note, that Staaltape will continue to release new works in handmade packages and art work, plus full info!)
The cassettes can only be bought on demand. See for a complete list of releases this page. Each cassette will cost 4,50 euro (ex shipping). This is your chance to get the rare (you can kill a pig in july, poem) or the since long sold out (Berlin Tape Run1, Paris Tape Run1).
Information staaltape at staalplaat dot com