Ed Pinsent always writes a longer essay on staaltape releases.
Kylie 1: “these tapes are great fun to listen to,”
June’s release: “This is a profoundly touching item and it stayed with me for some hours after hearing it.”
Read the complete review on Ed’s The Sound Projector.
Published on No-Wave, written by Andrew O’Keefe
Staaltape’s releases deliberately engineer a personal experience. Handmade packaging, which must be destroyed to be opened, and messages both personal and cryptic, adorn their tapes. Before even putting the tape into the deck, there is a suggestion to savour the moment; be attentive, and be present. In an age of streaming, Staaltape’s presentation attempts to re-teach the value of pricked ears.
The tapes themselves are unique enough to fit the bill. Dear Concerned Employees rises from a murky bog of lo-fi noise, shifting into warped, muzak-style sketches; mutated and muggy pop hits, and some spoken word passages whose words are indefinable.
The tape never takes form, but never feels insubstantial. Instead, it offers a feeling of something bubbling under the surface, a sort of paranoid energy which carries its quieter moments through effortlessly.
The tape’s aim: to calm the nerves of employees of the Duke Energy Building, who found a strange package in late 2018. The package later turned out to be a Journey cassette. While sending a tape to these people might seem arch, the letter accompanying ‘Dear Concerned Employees’ clarifies its intent.
“Not so long ago a tape brought a message of fear…this tape should transmit a message of hope and care.”
Also released on Staaltape is Kantoor, a tape and accompanying zine. The zine, which draws on an array of contributors is by turns informative, allusory, poetic and humorous. Each contributor to the tape attempts either to explain or complement their section of audio. Some attractive context is added to content which otherwise may require knowledge of a fair few languages.
There is enough content here to carry through even the most staunch single-language listeners, though. We open on a cockerel, and some mysterious bowls and chimes, and this mystery is a throughrun of the tape. Even the speech itself is fascinating to listen to, shrouded in format-fog. And it never seems to run on very long before music interrupts.
The sounds are drawn from a wide pool of sources — some immediately recognisable, some mystical, vague and puzzling. Their incorporation feels invariably natural. We are treated to choirs, solo vocalists, the sounds of vehicles, animals, instruments. All combined to suggest a vast world in constant motion.
Kantoor has that unsettling, ghostly quality that appealed to, and was repurposed by, the likes of Boards of Canada. It even features some eerie analogue synthesiser work. Its sounds have more clarity than those on Dear Concerned Employees, but no less intrigue.
These packages feel delightful, unique and homegrown. The urge to track down all their samples and sources is irresistible. But they stand alone, too, woven lovingly together into coherent, fascinating wholes.
Dear Concerned Employees and Kantoor are available at the staaltape shop
Now in production, the first issue of KANTOOR, a series of releases dedicated to found sounds and their collectors. The release is a collaboration with the Dutch art book publishing house Petrichor. They will take care of the zine that will be published together with a C90. For the first issue cassettes from the 1990s of chrome and metal quality will be re-used. Sounds, words and images are by Jeroen Diepenmaat, Wassily Bosch, Ezio Piermattei and Ben Roberts. We hope to release the first KANTOOR in the first week of February.
dubbed from 4track master tape
with use of Yamaha MT 100 II and Marantz CP430
price €8.50 (ex shipping)
Full info at the staaltape shop
Paris Tape Run was first published in 2009. The home version is a limited edition of ten numbered copies. Handmade packaging, spray painted tape. The pictures that were used for the cover were taken from the book The Most Dangerous Game by Wolfgang Scheppe and Roberto Ohrt. Glue, scissors, brush, typewriter, dead plants, a copy machine and paint were used in the process of assembling the package.
edition of ten numbered copies.
Inlay with track listing and petit histoire.
dubbed from Sony Walkman pro on Marantz CP430
price 8.50 + shipping
Get it at the Shop