NEW: dj ShluchT – eine nervtötende Geräumigkeit

dj Shlucht’s release for staaltape is copied on a collection of sealed Türktapes. The dubbing was done at home. Shlucht prepared two master tapes for the 4track. Marantz CP430 copied the master.

I used the original covers. Every copy has a different aphorism by ShluchT.

The mix in this release was orginally made for Radio Cashmere. ShluchT had invited me for a short interview. I sat in the comfortable Cashmere lounge and listened. I liked what I heard. I also noted that ShluchT had developed an exceptional skill in mixing material, music that was given to him as a present or a reward for his help. I recognised the small fun fragments that give so much breathing space to a mix. I heard how he could avoid density, monotony and repetition.

This is ShluchT.

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Now some words that you can skip. I write these words, because, being responsible for this label, I can not justify a release with this simple statement: I like it. Here I go.

It is okay, of course, to produce your own sounds, sometimes as part of an introspective process. With this release I want to open a new series. I feel that some djs whose work I have encountered take the creative process to a next level. The work overcomes the balance between failure and liberation. It is good, because it animates a space through sound. The dj disappears. His work doesn’t have a signature. Traces of moral judgement are absent; there is no reflection of a self. The work of dj ShluchT is about being without the moment.

This tape is a mixtape: recycled sounds for recycled cassettes.

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Patrizia Oliva – Numen, Life of Elitra Lipozi

Patrizia Oliva - Numen, Life of Elitra Lipozi

Patrizia Oliva – Numen, Life of Elitra Lipozi

C40, chrome quality in a first edition of 20 copies.

concept album by Patrizia Oliva.

read and hear more

POWERFUL!

“On Staaltape something is somewhat bigger,”

says FdW in Vital Weekly

He writes about the Slow Slow Loris release.
“There is a fine element of repetition in this music; a cold and clinical bang, reminding this listener of the cassettes he heard in the 80s. Slow Slow Loris is an ancestor to that old school industrial sound.”

and

“I quite enjoyed this dark synth-heavy industrial pop noir. It is along the lines of many current darkwave acts, except that Slow Slow Loris still sounds old-fashioned, with their analogue synthesizers in what sounds like a basement studio.”

and

“Powerful!”

More info

In the staalplaat shop
SlowSlowLoris-tape

Out Now! Slow Slow Loris – From Monster till Mourning

SlowSlowLoris-tape

C50 cassette, chrome quality. Recorded directly onto tape with a Marantz CP430.

Comes with a booklet, designed and produced by Angie Yeowell and Robert Heim.

Available at Staalplaat or directly from Slow Slow Loris or from me (staaltape at staalplaat.com) for as little as € 8.50.

Listen 1

Listen 2

Listen 3

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Coming soon – C50 release by Slow Slow Loris

Slow Slow Loris is the Berlin based duo formed by Angela Yeowell and Robert Heim. Their tape will be called ‘From Monster till Mourning.’

I have known Angie for a couple of years now, even did some performances with her, but I always had a feeling there was something lacking.

Now I know. It was Robert’s overwhelming at times primordial sonic presence that put Angie’s vocal strangeness in perspective.

Here’s 45 minutes of songs and soundtracks that by times are absolutely sensational.

Rollng Stone magazine would define it the rebirth of rock ‘n’ roll, if only they would know. 

I define it a glorious moment for staaltape.

Release date will be announced soon.

  

Review of Midori Hirano – And I Am Here

Ed Pinsent stepped out of the elevator, after a ride up to the roof to look at the aeroplanes descent or climb up to the nearest cloud. It was twenty minutes to go up  and twenty minutes to return to street level again. The loudspeakers in the elevator transmitted Midori’s tape.

Here’s what he wrote in The Sound Projector when he came back home.

“And I Am Here (STAALTAPE) by Midori Hirano is the latest cassette tape to arrive from Rinus van Alebeek’s Staaltape label. We have heard instances of classical pianist Hirano’s work before, namely LushRush and Klo:Yuri, both on the Japanese Noble label, records which I’m sorry to say did not endear themselves wholly to me; her work seemed too cloying, sentimental, verging on the twee. To be blunt, her first album was so wispy it struck me as “an avant-garde attempt to make an Enya album” at the time. However, she’s worthy to be included in the Staaltape inner circle, and was one of the many contributors featured on theBerlin Tape Run 2 cassette, so I will attempt to restrain my acerbity.

And I Am Here works well as a good assembly of sounds, namely unadorned field recordings mixed with short passages of music, either Hirano playing an out-of-tune piano, or singing, or both. The notes here indicate that she regards the piano itself as a “found object”, much like the field recordings are “found sounds” on one level. She embraces the fact that the instrument is “strongly detuned”, and there are no efforts to overcome this obstacle. Right there I must admit it’s an improvement on the studio-based process-heavy albums from 2006 and 2008, which just seemed to have one too many interfering layers of additional elements, particularly from her computers. More to the point, And I Am Here works because it integrates the musical passages into the imaginary landscape created by the field recordings, so the tunes are not set aside as “art”, but are rather to be heard as part of the overall continuum of life. Conversely, the field recordings start to sound more like music in this context; and in support of this she has certainly selected some highly positive and user-friendly sounds, evoking sunny days, good weather, children at play. None of the urban squalor or menace which might be conveyed using recordings of factories or over-crowded streets.

At the end, I personally find her tentative voice an irritant, and her minimal piano tunes still appear maudlin to me, but as noted I do appreciate the more rugged and raw abstract tendencies on this assemblage, which I find preferable to her slightly over-produced studio works. As a statement, this cassette is concise and direct with its moments of distilled beauty. At best, moments of the tape are as strong as Eno’s Music For Airports, a comparison I do not make lightly; it’s got the same centre of stillness and calm. 18 copies only in this first edition; I received this copy 10 February 2015. I note from the most current page of the Staaltape website that it’s already up to a fourth edition.”

From this fourth edition there is only one copy left at the staalplaat store in Berlin (mailorder too).

Keep an eye on this blog for the announcement with pictures and all of the upcoming release:

Jeff Surak – All Gold

2015-09-02 17.23.11

On this picture the first packing of Jeff’s tape. Pictures of booklet and ultimate packet still to come.