Ed Pinsent writes:
“The first one I played is The Truth About Cassius Clay, recorded and realised by a Parisian musician called :such:. The cassette has a hand-made collage cover, layers from glossy magazines pasted together almost like papier-mache. I suppose the first observation would be that it’s simply gorgeous, beautiful music. It’s so approachable and accessible that I can recommend this without hesitation..”
and he writes:
“This fascinating document may not persuade you to follow the music of Diktat, but it will pass on a vivid picture of travel, city life, meetings, people, and the richness of all these things rubbing shoulders in the same melting pot. Without explicitly setting out to capture the “truth” about Washington DC or NYC, this fragmentary-collaged approach (sourced from the tape recorders of all three dictaphone performers) in fact reveals more about direct experiences of places than would be possible with a more considered or formal field-recording / phonography approach.”
You can find the complete review here.
Why the review/half essay is called Eat the Document, you can find out here.
The tapes by :such: and Diktat are available here.
Thanks Ed for Cabinessence, and thus for the great documentary Beautiful Dreamer, Brian Wilson and the story of ‘Smile,’ and now for the BobDoc.