POWERFUL!

“On Staaltape something is somewhat bigger,”

says FdW in Vital Weekly

He writes about the Slow Slow Loris release.
“There is a fine element of repetition in this music; a cold and clinical bang, reminding this listener of the cassettes he heard in the 80s. Slow Slow Loris is an ancestor to that old school industrial sound.”

and

“I quite enjoyed this dark synth-heavy industrial pop noir. It is along the lines of many current darkwave acts, except that Slow Slow Loris still sounds old-fashioned, with their analogue synthesizers in what sounds like a basement studio.”

and

“Powerful!”

More info

In the staalplaat shop
SlowSlowLoris-tape

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Jeff Surak – All Gold

FdW writes about this release

“He’s been around for… I don’t know… more than thirty years and somehow never got the recognition he deserves: Jeff Surak. In the 80s a cornerstone in the world of cassettes, with his Watergate Tapes (he is from Washington, DC) and later on, still at it with a label, Zeromoon and his solo music as 1348 and the group New Carrollton, later on with Sovmestnoye Predpriyatiye when he lived in Russia, and, again later, as V. These days he also curates the excellent Sonic Circuits festival.”

“If I recall this well, it was at Zeromoon I first heard of Rinus van Alebeek, who is these days responsible for Staaltape, the original label name for what many people now know as Staalplaat. These days the tapes are very limited, and have a package in which a lot of labour goes before it is finished. Of this particular tape there were ten made, and new ones will only made once these are gone.”

“It’s not easy to say what Surak does here: it seems that he moves, partially at least, away from the world of drones, sound effects and computer treatments and works around with field recordings more than before, although in one case leaving them untreated/as is. There is also a bit more loops/rhythm in his current work (there was a lot of repetition in 1348). In the various pieces on this tape, Surak explores the minimalism of sounds and puts them together in some highly varied pieces.”

“The somewhat grainy lo-fi textures of his sounds seem present in almost all of these pieces, which is what ties these pieces together. I am not sure how he achieves this quality but it sounds great. Sometimes it reminded me of the very early Cabaret Voltaire, both in ambience and in execution of the music. Experimental, electronic, even a bit krautrock like, but all firmly on the lo-fi side. A great release! Certainly that deserves to be out there more than a handful beautiful copies; it would be even great if there was a possibility to download this!”

There won’t be a possibility to download this, except for these excerpts.





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This is the package for the tape that got sold.

*****

contact me at staaltape at staalplaat.com

Midori Hirano – And I Am Here reviewed: “Wonderfully Poetic”

On 30. January Midori’s tape became available. The staalplaat shop received four orders within ten hours. Of the twelve copies Midori received only a few are left.

I will start working on a new edition, probably with slightly different artwork. Pictures of that ongoing process will be published on staaltape’s twitter account, appear also in the sidebar at your right.

FdW wrote a review in Vital Weekly:
“Midori uses here field recordings from Europe and Japan, which she uses as a backdrop to her piano playing, and that piano is a found object itself, so it detuned a lot over the years. It makes it all wonderfully poetic and intimate music. You hear some birds twitter outside and down the hall someone is playing this detuned piano.”

“It’s a bit like one of those releases on the Japanese Flau label, but with an even more lo-fi approach when it comes to recording. Nothing about this is perfect but that’s the beauty of it. Like someone recorded this on a cassette over some time, sticking random events together. Excellent release, so let’s hope there will be a second, bigger edition.”