Sent out today to reviewers these two packages. The (Polish) post office across the road still uses stamps, which makes for a beautiful finishing touch. Today’s choice was two big stamps showing a (Polish?) pope blessing the masses and a smaller stamp with a picture of orange flowers.
Any advice on who/where to send copies for review is most welcome.
Also, If you order your tape directly from me, you can expect this kind of packaging.
Of course the tapes are also available directly from Kris Limbach, Ben Roberts aka Eclectiktronik Live and from Guillaume Siffert at the Staalplaat shop in Berlin. Midøri Hiranø‘s personal copies have sold out.
address side of packet for The Sound Projector
Address side of Packet for Cassette Gods
Back side of packet for the Sound Projector
Back side of packet for Cassette Gods
it is here.
Midori’s personal copies have sold out at the moment of writing. Kris, the staalplaat shop and I have copies.
I had the idea years ago. The C60 The Last Day on Earth had to become the follow-up of The Four Corners of the Night. I asked four artists. Each artist got a different score. The score was either a short story or a kind of poem. I never got four satisfying contributions in return. Two pieces were in line with the concept. I thought that I could use those two compositions, some fragments from the others and create an audio-book. My ambition was obstructed by reality. I put the release on hold for a long time. Midori and Kris were incredibly patient. read more.
The first copies of Ben Roberts – Unit Audio and Midori Hirano/Kris Limbach split – The Last Day on Earth are already sold. I still need to do some time-consuming work to update all the pages and give you as much information as possible.
However, you can get in touch through Fb or by contacting me via staaltape at staalplaat com if you are interested in buying one of these or both releases.
Ben Roberts’ – Unit Audio is a C40 tape, recorded at original speed with a Marantz CP430 from a 4track master tape. The quality is chrome. Price is 7.00€.
Here’s the text that Ben and I wrote together.
Ben Roberts is a British expat living in Madrid. He has been fascinated by everything regarding magnetic tape since his youngest years. This resulted in building a huge archive of found tapes. As an artist Ben uses the tapes in installations and live shows. Sounds of different origins and ages are blended with (or hurled against) each other.
i. Found tapes recorded by strangers, and functioning or signifying in some bygone cultural context; surviving audio remnants of a time that doesn’t exist anymore.
ii. TV/Radio/music extracts: To introduce occasional fragments of externally-referenced meaning into the pieces.
iii. Mechanical or tape-sounds: Due to material ageing, breakdown or modification, the original functional identity of the sound is nearly or completely obscured.
The combinations produce meanings above and beyond anything the individual parts may have had. Narratives that put us in direct contact with historic events as they unfold in every day life.
In addition I say:
The precise use and choice of fragments, the delicacy and awareness in attitude towards the use of found material and most important of all, the artistic approach add a touch of ‘sehnsucht’, an almost mystic glow to the sound.
Unit Audio ignites your imagination. It makes you wander over paths that almost got covered by the forgetfulness of our times.
Review of Patrizia Oliva – Numen on Continuo’s Documents.
Copies of the second edition are still available at the staalplaat shop in Berlin, also for mailorders. Once those sell out, I will need to produce a third edition.
liner notes – main image
“Oliva takes you on quite a fascinating ride……Great tape in the usual handmade Staaltape fashion.” says FdW in Vital Weekly
“In questi casi il prezzo per copia dovrebbe lievitare al di sopra degli 80 €.” says cassettophobian in sands-zine
“Ganz grosses Kino,” Thomas Neumann in Hörerlebnis 097 (physical copy).
Audiozine #3 – Valerie Kuehne is reviewed by Ed Pinsent in The Sound Projector. He hears “evidence of a wild, peculiar talent.” Read the complete review here.
The second edition is now available at Staalplaat in Berlin (postal orders too), directly from the artist, or from yours sincerely (contact form at bottom of this post).
“I never had heard any other music of Valerie Kuehne, but she has a new follower!” says Johan Nederpel in Yeah, I know it sucks.
“She performs with great style,” says Frans De Waard in Vital Weekly #1032
“Sehr hoher Unterhaltungswert,” says DJ TDK aka Thomas Neumann in Hörerlebnis, Ausgabe 97 (physical copy)